Still from promo for NATO

This is one from the archives. A 35 second promo for the Northern Arts Tactical Offensive, to be used at screenings and events (obviously, or quacking for details may be somewhat less effective). NATO was a collective in Manchester who did various subversive and situationist-influenced performances and other artworks, including the March for Capitalism and a spoof tourist guide to Manchester for the Commonwealth Games (2002), directing tourists to the alternative Blitz Festival of international grassroots underground culture, in the form exhibitions, street theatre, outdoor music, film nights and presentations. (more…)

Rabid Tripped-Out Psychedelic Lesbian Koalas

I’m currently putting together a package of queer films from Australia for the Bangalore Queer Film Festival in February 2010. My friend Namita (who I met through the Transmission Asia-Pacific network of online video activists) is involved, so it’s bound to be intelligent, provocative and fun fun fun (read some of her thoughts on Queering Bollywood here or perspectives on porn from the global south here). You can find last year’s program here along with more info on the organisers. It’s a D.I.Y. event, so there isn’t much in the way of screening fees, just the joy of reaching queer Indian audiences with your work!

In terms of the kind of films the festival is looking for – the crazier / more flipped out the better. Suits me! Camp, rude, trashy, experimental.. anything goes, and any kinda queer you like. So with this in mind, the working title for this program will be “Rabid Tripped Out Psychedelic Lesbian Koalas” First prize goes to somebody who actually makes and submits that as a B-movie! Shorts in particular, but features considered also. Any digital format should be fine.

If you’re interested in submitting something please contact me here via this website. Just let me know title, duration, year produced, and what the film is about. If you have some images, or a copy online, even better, please send me links to those.

It’s very soon, so there’s not much time to get cracking and send me deets on your film!

Gena Rowlands, star of A Woman Under The Influence (1974), Opening Night (1977) and Gloria (1980), and wife of John Cassavetes

While I’m catching up on my blog today, I thought I’d add an essay I wrote last semester on three films by one of my favourite directors, John Cassavetes, starring one of my favourite actors, Gena Rowlands. Written in the midst of production of my second short film for this year, it was a bit beyond me to fully structure these thoughts in the way I would have liked to, but I found this a very useful exercise in interrogating the work of one of avant-garde cinema’s true mavericks. Cassavetes is another filmmaker to keep in mind when gathering the courage to attempt what might be a beautiful failure or just an ugly disaster rather than something more achievable, and less extraordinary.

The films of John Cassavetes (1929 – 1989) eschew many of the stylistic, narrative and generic influences of cinematic tradition, which can be appreciated when pulling apart his vibrant and distinctive body of work as an independent filmmaker working outside the studio system. Cassavetes’ disruption of conventional approaches to genre, narrative and style can be found to varying degrees in three of his films chosen from the 12 in total he directed between 1956 and 1986: A Woman Under The Influence (1974), Opening Night (1977) and Gloria (1980). While the master narrative of Cassavetes’ films can be thought of as the revealing of the performative mask of identity that each of us wear in our daily lives, and the “style-less style” he pitted against the gloss of Hollywood can be observed in each of these films, Gloria represents Cassavetes’ decision at various points in his career to veer more towards accepted modes of style and narrative, even to the point of invoking, though once again disturbing, elements of genre. (more…)